Archive for comics

Amelia Cole and the 99-cent Sale!

In case you somehow missed it I co-write a comic about a woman named Amelia Cole. The first arc, AMELIA COLE AND THE UNKNOWN WORLD has ended and the second arc, AMELIA COLE AND THE HIDDEN WAR begins tomorrow.

In celebration of the launch of Amelia Cole and the Hidden War #1 tomorrow we’re arranged for all six issues of The Unknown World to go on half-price sale. That’s right – 99 cents for each 22+ page issue, but only for a few days!

So click here to take advantage now, and more importantly, if you could – tell a friend!

Easter 2013

Time again, as it has been every year since 2004, to post the annual Easter comic! And here you go!

A First Time For Everything: Animal Man

Animal_Man_0003The very first time I heard of Animal Man was in Crisis of Infinite Earths. He was in something on the order of 4 pages, crammed into panels and just being this dude named Animal Man. That was it.

Oddly it was enough. The name! The name did it for me. Animal Man. He had animal powers, that much was clear. Spider-Man had the powers of a spider, but Batman wasn’t at all bat powered. So either Animal Man had the powers of all animals or he dressed up like different animals to scare people.

Now, based on his costume I leaned toward the whole powers thing, but had to admit that orange was kinda scary. Just not in a “cowardly and superstitious lot” sort of way. More in a “also he directs traffic” way.

But like I said it was enough for me to be interested. There’s a bunch of characters I met in Crisis that I hunted down as they showed up Animal_Man_1after – Dolphin, Blue Beetle, Human Bomb… all right that may be it. Though probably not. I was just getting into DC right before Crisis, which was a strange time to really get into it, but that’s the way it shakes out.

So when issue one of Animal Man’s series eventually came out, I was all primed for it. And Grant Morrison started what is still one of my favorite comic runs of all time.

Also he added a jacket to the mix and this was right when all super heroes were required to wear jackets for reasons that escape me. Some how only one of two managed to not look like giant tools with their jackets. Animal Man was in that non-tool camp.

As a side note: people seem to love drawing him running at the reader. I don’t get it either.

This is a post in “A First Time For Everything” wherein I look at my first reactions to comic book characters that have been suggested by YOU. You can go here to suggest characters for me to discuss, and to see the master list of who I’ve talked about so far.

A First Time For Everything: Dick Grayson

newteentitanspreview
The first time I really met Dick Grayson? Well that wasn’t a Batman comic. Look, I had read Batman comics. And there was Robin, and I guess he was Dick Grayson but it didn’t really stick. It was Batman, it was Robin, and that was that. But then I caught, in the back of another book – I think it was DC Comics Presents – around 1980 (I read it a bit later), a preview for another book.

The New Teen Titans.
Untitled-1There was Robin, but without Batman. Suddenly he became his own character to me. This was a guy who was supposed to be awesome and in charge and wearing those booties. Well, all right. This was Dick Grayson. And it was that preview that introduced me to Dick Grayson.

He was commanding, undaunted and yet all too human. He didn’t feel like Batman-lite, though I sort of expected him to. He felt like… Batman rethought, if that makes sense. he could tell the cops what to do, lead a group where he had some established relationships but never be as dark as Batman.
Robin-to-Nightwing-by-George-Perez
Don’t get me wrong, Batman was amazing, but this concept of New Batman struck a deeper chord. This was, in the space of a 16 page preview bursting with story, a character I would grow to love. I truly feel that more than Batman or Superman Dick Grayson and Wally West were the core of the old DC Continuity.

And for me, personally, that started with the Titans.

This is a post in “A First Time For Everything” wherein I look at my first reactions to comic book characters that have been suggested by YOU. You can go here to suggest characters for me to discuss, and to see the master list of who I’ve talked about so far.

A First Time For Everything: Cannonball

19522-3144-21793-1-marvel-graphic-novel_superMarvel Graphic Novel #4. 1982. New Mutants. It was the first time any of us saw Cannonball, and I was included in that group. Man, I remember reading that book when it came out and being so amazed.

See I grew up reading Lee/Kirby X-Men and then suddenly shifted, thanks to time and my father, to Claremont X-Men. I was upset at characters like Storm and Wolverine because they weren’t “The X-Men” they were these upstart figures in costumes that didn’t even match! It took a while to get over it. But just as I was, the New Mutants came along. It changed everything, mutant-wise, for me. Suddenly these were the characters for me. They were young, like the X-Men I loved most, and awkward and learning and wore team uniforms. They were, more than Banshee, Wolverine and so on, the heirs to the X-Men for me.

So there were a bunch of new characters to get into but two really stood out to my eye. One was Dani Moonstar. Always dug her character. The other was Sam Guthrie. Sam was all at once Peter Parker and Scott Summers. But he wasn’t Cyclops or Spider-Man. That was the draw, for me.

Here was an awkward teen who didn’t yet have a front to hide behind, or the sureness in himself to take charge. But he had all the potential to get there. He was almost a proto-Marvel character. We normally only saw them a bit later on, a bit fuller formed, but here was Sam, needing to grow into the character he would become.

He was gangly and shy and his powers… oh his powers.cannonballNM

See, he could turn on this “blasting field” and fly. Except he made a really loud racket and couldn’t turn while using his power. I adored it. Such great downsides to his powers and so perfect for this shy teen to cope with. He uses his powers he can’t be a wall flower, he has to be in your face with that huge rumble. He can’t change direction or slink back into shadow. If he comes at you – he comes at you.

And he sees the other kids in his class, Roberto, say, who is all charm and sleek powers (with their own great drawback but hey) and Sam just wants to be somewhere else. He has, to him, the worst powers and worst everything and doesn’t belong and…

And he has no “other self” to hide behind. There is no switch. He’s just horribly awkward. And yet he keeps on. He works to get better, and to be more comfortable. But at first look, man I loved the crap out of it. It had an honestly and accessibility to it that sticks with me to today.

I spent most of the 80s wanting Cyclops and Cannonball on a team together. Bro-ing out. I would still love to write that book, though I would revert Sam to the old days when he had no way to fly silent and couldn’t turn. But that’s me.

I would still, by the way, write BLASTERS – The Cannonball/Cyke road trip comic.

This is a post in “A First Time For Everything” wherein I look at my first reactions to comic book characters that have been suggested by YOU. You can go here to suggest characters for me to discuss, and to see the master list of who I’ve talked about so far.

A First Time For Everything

So here’s the thing. I’ve been reading comics my entire life. In an odd order too. MY dad had me reading his old Lee/Kirby Marvel stuff and random Dc things for years before I got to the current-for-my-age comics. And I have memories of them all.

Sometimes dim, sometimes really crystal and occasionally totally wrong in detail – I remember the first time I noticed a character. And I wanna talk about them. So here’s the deal:

Leave a comics char in comments. Leave several. Whatever. And I will start posting my memories of when I found them, how I felt and what drove me to them or pushed me away from them. It’ll be fun! Or scary. Or… something else and we’ll find out together.

SUGGESTED SO FAR (a link means I have done that character and you can read it):

Cannonball
Dick Grayson
Animal Man
Collassus
DeadMan
Hal Jordan
Clark Kent
Nova
Captain Carrot (and his Amazing Zoo Crew)
Machine Man
Starhawk
Nightcrawler
D-Man
Batman
Lockjaw
Devil Dinosaur
Granny Goodness

Amelia Cole and the Box Full of Wrenches

There are times you do things because, well, you can. This is a story about one of those times.

Amelia Cole and the Unknown World is a dear, dear, project to all of us who work on it. From myself, to D.J. Kirkbride, to Nick Brokenshire to Rachel Deering – we are a team. We each put in our best work and refuse to settle for anything that isn’t right for the book. It’s special to us. I know, for me, that this book is the first ongoing I’ve really been involved with.

And so I realized I wanted to commemorate it with the rest of the team. We needed something… something that would mean a lot to each of us. There could have been t-shirts – a lot of people do t-shirts. Staff shirts or something along those lines, I mean. Totally could have happened. But anyone could do staff shirts.

Which is when I had the idea.

Amelia uses a rather unique wand in the book. It’s a bright red pipe wrench. Well… we have pipe wrenches here in the real world, too! So off to Amazon I went where I placed an order for a bunch of pipe wrenches. I’m fairly sure that ended up with me on a watch list of some sort. No one just orders a handful of solid iron pipe wrenches out of the blue, right?

But just sending a random wrench felt more like… I don’t know, some kind of late 70′s Bronson thriller threat. “I’m'a get chu, wit this wrench!” it would feel like, as people opened boxes with wrenches in them. So I thought “I know, I’ll make a stencil and paint the logo of the book on it!”

This was a great idea except for reality. Because you see wrenches don’t have huge heads and tiny tiny stencils of curvy letters being cut out by hand are sort of… Laura helped and she tried and there’s this problem with reality again. If instead I could have had a laser programmed to etch it, or cut out the stencil maybe them. Maybe.

Really though the paint would have slopped and it would’ve looked like crap anyway.

So, instead, being my savior yet again, Laura offered to hand do the logo lettering with a paint pen. And she did. Beautifully.

And then they went in the mail and we waited. See, Rachel could get hers at NYCC and D.J. is just over in L.A. but Nick is on another continent so I got the others to agree to not mention the wrenches until Nick got his. He got it today. Then he called me crazy.

Oh, you want to see the wrenches, don’t you. Right! Here you go:
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No more.

You want to see the face of entitlement, privilege and the general lack of empathy we all suspect is far more rampant and insidious than we wish it were? Let me introduce you to Larry’s Comics.

Larry, who runs the twitter account for his comic book store, has in the past been called out for racist bullshit. See, back when the other universe version of Peter Parker was killed, there would be, of course, a new Spider-Man! Miles Morales, a mixed race teen in NY, would pick up the mantle of Spider-Man.

Larry, on twitter, had this to say (and then delete, a day or so later once people started going “you said fucking what?!” – but Bleedingcool had screenshots):


So yeah that shows you where we are with this.

So last night, Christian Beranek (an out and open transgender (MtoF) writer) and Larry got into it quickly:


Since then he has expressed shock that people could be upset since he was “obviously kidding.” I find it telling that he never expressed shock or confusion as if he didn’t know he was being insulting – though some have pointed out it may have been beneficial to make clearer why “sir” was offensive, it isn’t the ponit, the fact that it was is the point). And then this:

You know that current bizarre trend of calling someone intolerant because they called you on your intolerance? Like “If you weren’t such an intolerant jerk you would accept my homophobia!” which misses the entire point? Larry is not only trying that he is tossing in a dose of keyword warping to boot. “Entitled.”

He is shocked at someone else’s supposed entitlement. And, of course, the exchange last night was “light hearted” because Larry doesn’t give a fuck. Mmm-hmmm. And here’s the truth of the matter:

This is someone who, at best, can not see their own privilege and entitlement and flexes them both because it is found to be “fun” and/or “funny.” Why don’t they get the joke – that’s what these folks want to know. It shows a basic level misunderstanding of how the world works.

Where is the fucking joke when people disrespect you, shun you, hate you, and attack you for simply trying to be yourself? How is that funny? How is it acceptable? If you don’t live with that sort of bullshit corrupting your peace of mind every day you can not imagine how evil it truly is.

Imagine, seriously stop and try to imagine, what it is like to know that some people will hate you simply for being yourself. That your friends and family might turn their backs on you – that people have attacked and killed people just for being like you. And that a lot of motherfuckers think it isn’t a problem, but is something to joke and poke at because, hey, they don’t get attacked.

I’ll be honest here – I am the type of person who firmly believes that everything can be funny. It’s a matter of context and respect. Larry shows neither. He also shows he doesn’t understand “no” at all. When a stranger asks you to stop a behavior, and you ignore them, that’s disrespectful.

Now there are certainly times to be disrespectful, but in a discussion online, over a salutation? What was gained by ignoring the wishes, and then going further and mocking it with later tweets keeping it going? What was gained except for Larry to thumb his nose at someone else and disrespect them? That’s not in good fun, that isn’t light hearted, that’s a small child who is let run free and wild and needs a parent to teach them how to behave like an adult.

And you know what – I’m sick of it. I’ve seen Larry online doing this shit before and I’ll say something and get annoyed and then go about my day. I’m lucky that way. But, you know what?

No more.

No more blind eyes. No more ignoring the bigots and racists. I write comics. I am proud to and I love the industry. Some of the single best human beings I know work in comics – from retailing to journalists to writers and editors and artists. And I can’t, we collectively can not, continue to allow people like this to define us and to turn blind eyes toward their behavior.

No more.

Script process changes.

This last week I was writing in three different comic series at once. Which… well it can hurt the brain. The interesting part is that they also were being written with three totally different techniques.

Then I thought: I should write about them! So I am.

Script One was done in a Marvel Style. I’ve never worked that way before, so that was a trip. The artist and I talked over the plot and got it to a place we both liked the story a bunch. Then he went off to draw everything. When he was done with the pages he sent them to me and I scripted over them.

It was a bit strange to just script over art. I knew the story beats but had very little input into how they were broken down and paced out. Once the art was in, I had to adapt my preconceived notions of how the entire story would unfold and adjust to tell the best version of the story with what was in front of me.

Certainly not a weak way to make comics, just very different from what my head is used to.

Script Two I did by going through and laying out the action and scenes first, then doubling back to adjust them and then going in and working out the dialogue. Also not my normal way of working. But this one is in the early project stages as far as my writing on it is concerned and so I had a much clearer picture of the scenes than of how characters spoke.

Doing it this way let me focus on the stuff I could work out first and then use that to inform the characters speech more. It’s a fine way to write script just takes a bit longer, at first.

Script Three was done the way I normally do these things. Layouts and dialogue and all in one pass. It’s a juggle, mind, but one I am used to. The whole scene, every inch of pacing from chars to setting sits as one and allows for a smooth, for me, build.

Mind you the thing I love about this, as brain breaking as it can be to switch back and forth in both stories and actual physical ways to write, is how many different ways there are to make this stuff work. Just endless, and every time I get to try a new way it makes me happy, not only because it can make me a better writer but because I get to explore and find ways that may be better than ones I use now.

I dunno. Just nattering about boring process stuff.

Darkseid and Daleks and Superman and…

So I had this idea and got Frank to letter it and… well

Read the whole comic:
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